the take
Like its standard edition counterpart, Danielle Bradbery's extra four deluxe tracks display her at her most vulnerable with her storytelling that wraps up what she wanted the listener to know. Production-wise, Danielle is doing some experimenting on here as well, with her leaning a bit towards a slight Afrobeats sound which is weird to me, but actually worked. Naturally, I'm biased, so I'm always gonna be in favor of Danielle's music. Also, "Far from the Same"? Felt that in my soulllllllll.
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