the take
To the surprise of no one, she absolutely nailed it. My favorite approach so far to the growing trend of the postmodern-Gen-Z-EDM-nostalgia-trip. You know it’s good when my only major criticism is wishing it was twice as long. April’s best album so far by a wide margin
self-produced
punchy
banger
obsession
situationship anthem
nostalgic
no skips
on repeat
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