{"@context":"https://schema.org","@graph":[{"@type":"MusicGroup","@id":"https://superfan.social/artists/planning-for-burial#artist","name":"Planning For Burial","url":"https://superfan.social/artists/planning-for-burial","image":"https://i.scdn.co/image/ab6761610000e5ebf0a8511389623ae9d6a28921","description":"The brainchild of American songwriter and multi-instrumentalist Thom Wasluck, Planning for Burial's gloomy experimental metal borrows from shoegaze, goth, and alt-rock as well as doom, drone, and black metal. A one-man band (both in the studio and live), Wasluck began operating under the pseudonym in 2005, releasing the first in a string of downcast LPs and splits pairing the ominous black shoegaze of Jesu with the doomy and obsessive industrial metal of Fragile-era Nine Inch Nails. \r\n\nAfter playing in several bands while growing up in Wilkes-Barre, Pennsylvania, he conceived of Planning for Burial as a solo act in 2005. Wasluck released Planning for Burial's debut album, Leaving, in 2009, and Enemies List Home Recordings reissued it a year later. The project built a following as Wasluck issued a steady stream of short releases, including two collaborations with Lonesummer on Music Ruins Lives and 2012's I Miss Our Conversations, I'm Sorry on Tycho Magnetic Anomalies. After signing with The Flenser, Planning for Burial released its second full-length album, Desideratum (which included a credit for \"whiskey\" alongside more traditional instruments), in 2014. \r\n\nWasluck returned two years later with the single \"As a Lover,\" and took inspiration from moving back into his childhood home for Planning for Burial's third album, 2017's Below the House. That same year, Wasluck issued Matawan: Collected Works 2010-2014, a compilation of out of print non-album tracks that he originally recorded in his former home of Matawan, New Jersey. ~ Heather Phares\t, Rovi","genre":["drone","drone metal","shoegaze","slowcore","post-rock"]}]}

Planning For Burial

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