Black Label Society bandleader Zakk Wylde wields his guitar like a Viking weapon, bashing out thick riffage and squeezing out expressive squeals as if the glory of his Berserker brotherhood depends upon every single note, which of course, it does. Charismatic beast and consummate showman, Wylde puts his massive heart and earnest soul on display with unbridled, unchained, animalistic passion in Black Label Society, whether it’s a crushingly heavy blues-rock barnstormer or a piano-driven ode to a fallen brother. Each Black Label Society album is another opportunity to top the one before it, but like AC/DC or The Rolling Stones, BLS isn’t here to reinvent the wheel. If it ain’t broke, don’t fix it. It’s a brand we can trust. Mighty missives like Damn the Flood, In This River, Stillborn, My Dying Time, Queen of Sorrow and Blood Is Thicker Than Water have amassed millions of downloads and streams. They are the soundtracks to sweat soaked revelry, jubilant evenings that descend into bewildering mornings, and adrenaline fueled sports. Grimmest Hits, the band’s tenth full-length studio album and follow-up to Billboard Top 5 entries Catacombs of the Black Vatican (Deluxe) and Order Of The Black, Black Label Society submit new anthems like Room of Nightmares the bluesy Seasons Of Falter and Southern-fried The Day That Heaven Had Gone Away to the BLS faithful; 12 unstoppable tracks to add to that lifestyle soundtrack.

Black Label Society, All That Remains, Hail the Villain

All That Remains

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