Daneshevskaya (Dawn-eh-shev-sky-uh), the project of New York’s Anna Beckerman, writes songs steeped in the folklore of her own personal history. Her artist (and real middle) name comes from her Russian-Jewish great-grandmother, a person whose presence she has always felt although their paths never crossed in real life. Beckerman grew up in a musical family; her father is a music professor, her mother studied opera and her own songs often feel spiritual, less so by any religious connotation and more as a hymn-like, archival record of Beckerman’s own past, present, and future. Her first release on Winspear, Long Is The Tunnel, contemplates how the people you meet impact the pathway you travel. Through songs like the poignant “Somewhere In The Middle,” the lilting "Challenger Deep" and the surreal “Big Bird,” the project paints a distinctive collage between traditional songwriting and modern turns of phrase that remain spellbound in the unadulterated luster of self-discovery. The seven songs read as both patchwork memories/diary entries and elegies to those in her life. Co-produced by Ruben Radlauer of Model/Actriz, Hayden Ticehurst, and Artur Szerejko, the final versions of these initial demos also saw contributions from Lewis Evans of Black Country, New Road (saxophone), Maddy Leshner (keys) and Finnegan Shanahan (violin), adding to the gleaming instrumentation that makes each song sound like a world within itself.

Cut Worms, Daneshevskaya

Cut Worms

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