26:I[67202,["/_next/static/chunks/0v0zmnc-ft6l-.js","/_next/static/chunks/10tojsbb-0eaf.js","/_next/static/chunks/086jv5onn0hzz.js","/_next/static/chunks/0hp98prejc9n4.js","/_next/static/chunks/13qlgh7i_5g-b.js","/_next/static/chunks/03z3pblncf8bh.js","/_next/static/chunks/0zzcj-i0p619c.js"],"HStack"] 27:I[33783,["/_next/static/chunks/0v0zmnc-ft6l-.js","/_next/static/chunks/10tojsbb-0eaf.js","/_next/static/chunks/086jv5onn0hzz.js","/_next/static/chunks/0hp98prejc9n4.js","/_next/static/chunks/13qlgh7i_5g-b.js","/_next/static/chunks/03z3pblncf8bh.js","/_next/static/chunks/0zzcj-i0p619c.js"],"default"] 28:I[85234,["/_next/static/chunks/0v0zmnc-ft6l-.js","/_next/static/chunks/10tojsbb-0eaf.js","/_next/static/chunks/086jv5onn0hzz.js","/_next/static/chunks/0hp98prejc9n4.js","/_next/static/chunks/13qlgh7i_5g-b.js","/_next/static/chunks/03z3pblncf8bh.js","/_next/static/chunks/0zzcj-i0p619c.js"],"Stack"] 29:I[30442,["/_next/static/chunks/0v0zmnc-ft6l-.js","/_next/static/chunks/10tojsbb-0eaf.js","/_next/static/chunks/086jv5onn0hzz.js","/_next/static/chunks/0hp98prejc9n4.js","/_next/static/chunks/13qlgh7i_5g-b.js","/_next/static/chunks/03z3pblncf8bh.js","/_next/static/chunks/0zzcj-i0p619c.js"],"default"] 31:I[17289,["/_next/static/chunks/0v0zmnc-ft6l-.js","/_next/static/chunks/10tojsbb-0eaf.js","/_next/static/chunks/086jv5onn0hzz.js","/_next/static/chunks/0hp98prejc9n4.js"],"IconMark"] 2a:T4eb,Girl Talk (aka Pittsburgh's Gregg Gillis) has been constructing meticulous sample-based music since 2000. His early work was known for its raw experimental nature, but by the release of his 2006 album, Night Ripper, that style evolved into genre-smashing, breakneck-paced party jams. Night Ripper consisted of over 300 songs, from wildly disparate Top 40 genres and eras, mashed up and layered together into one cohesive collage. It received critical acclaim, and the attention resulted in a rapidly growing fan base. Gillis ended up quitting his biomedical engineering day job one year later. Girl Talk continued to develop his signature style with the release of Feed the Animals in 2008 and All Day in 2010. Each album grew increasingly detailed and complex. He steadily toured over the following years, bringing his renowned confetti-covered and sweat-soaked performances to venues ranging from house party basements to major festivals. By 2014, Gillis began focusing on collaborative work, mainly doing the production and beats with rappers. That year, he released "Broken Ankles," an EP with Freeway. This has been followed up by one-off songs with Wiz Khalifa, Erick The Architect (from Flatbush Zombies), Smoke DZA, and Don Q. 2b:T528,Toronto-based violinist/singer/songwriter Owen Pallett has been a member of the groups Les Mouches and Picastro, as well as a touring member of the Hidden Cameras and Arcade Fire--he composed strings for the latter's Neon Bible album. Final Fantasy, essentially a one-man solo project with occasional help from drummer/engineer Leon Taheny, released its first full recording, Has a Good Home, in 2005 on the small Toronto-based cooperative label Club Blocks. It was followed in 2006 by He Poos Clouds on the Tomlab label, which went on to receive the inaugural Polaris Music Prize in Pallett’s native Canada. In 2008 Pallett announced that the third Final Fantasy album, Heartland, would be the last under the FF name, and that all subsequent records would bear the mark of one Owen Pallett. Heartland, another concept album, this time dealing with what Pallett describes as "the beginning, middle and end of a relationship. But it’s sung from the point of view of the object of my affection", was released in January 2009. ~ James Christopher Monger, Rovi

Girl Talk, Final Fantasy, Youre Only Massive

Girl Talk

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