26:I[67202,["/_next/static/chunks/0v0zmnc-ft6l-.js","/_next/static/chunks/10tojsbb-0eaf.js","/_next/static/chunks/086jv5onn0hzz.js","/_next/static/chunks/0hp98prejc9n4.js","/_next/static/chunks/13qlgh7i_5g-b.js","/_next/static/chunks/03z3pblncf8bh.js","/_next/static/chunks/0zzcj-i0p619c.js"],"HStack"] 27:I[33783,["/_next/static/chunks/0v0zmnc-ft6l-.js","/_next/static/chunks/10tojsbb-0eaf.js","/_next/static/chunks/086jv5onn0hzz.js","/_next/static/chunks/0hp98prejc9n4.js","/_next/static/chunks/13qlgh7i_5g-b.js","/_next/static/chunks/03z3pblncf8bh.js","/_next/static/chunks/0zzcj-i0p619c.js"],"default"] 28:I[85234,["/_next/static/chunks/0v0zmnc-ft6l-.js","/_next/static/chunks/10tojsbb-0eaf.js","/_next/static/chunks/086jv5onn0hzz.js","/_next/static/chunks/0hp98prejc9n4.js","/_next/static/chunks/13qlgh7i_5g-b.js","/_next/static/chunks/03z3pblncf8bh.js","/_next/static/chunks/0zzcj-i0p619c.js"],"Stack"] 29:I[30442,["/_next/static/chunks/0v0zmnc-ft6l-.js","/_next/static/chunks/10tojsbb-0eaf.js","/_next/static/chunks/086jv5onn0hzz.js","/_next/static/chunks/0hp98prejc9n4.js","/_next/static/chunks/13qlgh7i_5g-b.js","/_next/static/chunks/03z3pblncf8bh.js","/_next/static/chunks/0zzcj-i0p619c.js"],"default"] 30:I[17289,["/_next/static/chunks/0v0zmnc-ft6l-.js","/_next/static/chunks/10tojsbb-0eaf.js","/_next/static/chunks/086jv5onn0hzz.js","/_next/static/chunks/0hp98prejc9n4.js"],"IconMark"] 2a:T51c,Ouri explores the intricate formation of shape in Frame of a Fauna. The intangible is held and the unseen is sung as it inspects the framework of the body- how emotional hardship can imprint, and in turn deform the skeleton. If the bones are the container that stands the test of what is being contained- What is the residue of happening? And where does it go? She notices the way time can rupture a rib cage, pull out the collar bones, or make a fist out of fingers. She takes her knowledge of big orchestral sound, and creates her own fusion, puncturing the classical with industrial abrasions and electronic nuance. Ballads and drum samples take melodies out of the middle ground. She finds home in the new hybrid- but first she must stretch the old structure to make a clearing. Sound fills to the brim, cello meets synth, becomes lush and ethereal, only for her feather-light voice to slither in with ferocity. You weed through the sound to meet her in her sincerity. In this way we are listening twice- for what she wants to say, and what she wants to feel- which are not always the same. Conscious not to define herself within any one structure, but to cascade her own spectrum of sound- in Frame of a Fauna Ouri shows us everything she can do, while what comes next is everything she will.2b:T4e8,Ash is a Cairo-born, Montréal-based multi-instrumental artist with more than 900 million streams. His transportive, dance-ready fusion of electronic music and the musical traditions of his Egyptian and French background has captured millions of hearts worldwide — onstage, and online. On February 2nd, 2024, Ash released his highly anticipated debut album, Self-Discovery. Some of Ash’s other most popular releases include Mosaïque, Worlds Apart, Sing It Back, and Daydream. First released in 2016, the streams on Mosaïque have been a torrent, boosted by ‘that’ 2019 pyramids video which has more than 27 million YouTube views. Looking ahead, the year promises an exciting journey for Ash as he sets out on a world tour captivating audiences across the United States, Europe, and the Middle East.

Ouri, Ash

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