26:I[67202,["/_next/static/chunks/0v0zmnc-ft6l-.js","/_next/static/chunks/10tojsbb-0eaf.js","/_next/static/chunks/086jv5onn0hzz.js","/_next/static/chunks/0hp98prejc9n4.js","/_next/static/chunks/13qlgh7i_5g-b.js","/_next/static/chunks/03z3pblncf8bh.js","/_next/static/chunks/0zzcj-i0p619c.js"],"HStack"] 27:I[33783,["/_next/static/chunks/0v0zmnc-ft6l-.js","/_next/static/chunks/10tojsbb-0eaf.js","/_next/static/chunks/086jv5onn0hzz.js","/_next/static/chunks/0hp98prejc9n4.js","/_next/static/chunks/13qlgh7i_5g-b.js","/_next/static/chunks/03z3pblncf8bh.js","/_next/static/chunks/0zzcj-i0p619c.js"],"default"] 28:I[85234,["/_next/static/chunks/0v0zmnc-ft6l-.js","/_next/static/chunks/10tojsbb-0eaf.js","/_next/static/chunks/086jv5onn0hzz.js","/_next/static/chunks/0hp98prejc9n4.js","/_next/static/chunks/13qlgh7i_5g-b.js","/_next/static/chunks/03z3pblncf8bh.js","/_next/static/chunks/0zzcj-i0p619c.js"],"Stack"] 29:I[30442,["/_next/static/chunks/0v0zmnc-ft6l-.js","/_next/static/chunks/10tojsbb-0eaf.js","/_next/static/chunks/086jv5onn0hzz.js","/_next/static/chunks/0hp98prejc9n4.js","/_next/static/chunks/13qlgh7i_5g-b.js","/_next/static/chunks/03z3pblncf8bh.js","/_next/static/chunks/0zzcj-i0p619c.js"],"default"] 30:I[17289,["/_next/static/chunks/0v0zmnc-ft6l-.js","/_next/static/chunks/10tojsbb-0eaf.js","/_next/static/chunks/086jv5onn0hzz.js","/_next/static/chunks/0hp98prejc9n4.js"],"IconMark"] 2a:T545,From the start, Son Lux has operated as something akin to a sonic test kitchen. The band strives to question deeply held assumptions about how music is made and re-construct it from a molecular level. What began as a solo project for founder Ryan Lott expanded in 2014, thanks to a kinship with Ian Chang and Rafiq Bhatia too strong to ignore. The trio strengthened their chemistry and honed their collective intuition while creating, releasing, and touring five recordings, including LPs Bones (2015), Brighter Wounds (2018), and Tomorrows (2021). A carefully cultivated musical language rooted in curiosity and balancing opposites largely eschews genre and structural conventions. And yet, the band remains audibly indebted to iconoclastic artists in soul, hip-hop, and experimental improvisation who themselves carved new paths forward. Distilling these varied influences, Son Lux searches for equilibrium of raw emotional intimacy and meticulous electronic constructions. 2b:T45f,Born Ásgeir Trausti Einarsson in the diminutive hamlet of Laugarbakki, Icelandic singer/songwriter Ásgeir specializes in intimate, soulful songs that span indie electronic and atmospheric folk. An overnight success in his native Iceland, where the then 21-year-old released his 2012 debut album, Dýrð í Dauðaþögn, and quickly broke every regional record in the book (it's estimated that almost ten percent of the Icelandic population owns the album), Ásgeir's unique songs are made all the more idiosyncratic by the fact that his 72-year-old father, poet Einar Georg Einarsson, provides the majority of the lyrics. In 2013, with the help of Iceland-based American singer/songwriter John Grant, who helped to translate the lyrics, Asgeir released an English version of Dýrð í Dauðaþögn (In the Silence) on the One Little Indian label. It charted in several other countries, including the U.K. and Australia. While that album featured a mix of acoustic guitar and wistful electronic tracks, the follow-up, 2017's Afterglow, took on bolder, more experimental electronic textures. ~ James Christopher Monger

Son Lux, Ásgeir

Son Lux

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