For the Rockford, IL quintet, treading new territory has uncovered their most poetic, potent, and powerful body of work to date in their fifth studio album, Desolate Divine, which captures the band’s palpable aggression through expansive production, yielding to a bigger sonic backdrop, while preserving the sense of emotional vulnerability they’re known for. Following the success of early albums,We All Have Demons, My Devil In Your Eyes, and Know Hope, the group received a 2014 Alternative Press Music Awards nomination in the category of “Best Breakthrough Band.” Shortly after, Hold On Pain Ends debuted at #28 on the Billboard Top 200 upon release—the group’s highest chart position yet. The recording process for Desolate Divine marks a first for the musicians as they enlisted multiple producers and songwriters to perfect the dynamic sound they wanted to achieve—Dan Korneff [ Pierce The Veil, The Devil Wears Prada ], Erik Ron [Panic! At The Disco, Saosin], Scott Stevens [ Shinedown, Halestorm, Nothing More], Arnold Lanni [ Simple Plan], and Matt Wentworth. Whether you’re a first-time listener or a long-time diehard, you’ve likely never heard The Color Morale like this before, as the band remains unflinchingly real and unashamedly ambitious in Desolate Divine, released in August 2016.

Woe, Is Me, The Color Morale, Vanna, Aaron Carter

Woe, Is Me

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